Theatre du Chatelet, renowned Paris institution headed by Jean-Luc Choplin, recently presented Stephen Sondheim & James Lapine’s award-winning and heartbreaking SUNDAY IN THE PARK WITH GEORGE. Lucky for those of us that weren’t able to hop on a plane to Paris during its run, the production was filmed and broadcast by Mezzo TV. And now, this new version is available to download for free, albeit for a very limited time.
The original Broadway production of SUNDAY IN THE PARK WITH GEORGE, directed by James Lapine, starring Mandy Patinkin and Bernadette Peters, was similarly filmed and quickly became a staple in the collector’s canon. For those of you who haven’t seen any of the original cast, or for those that could always use a refresher, enjoy the two duetting on “Move On.”
In this number, Dot appears to her great grandson (that of her lover George Seurat), also named George, who is struggling with his art
Look at what you want, Not at where you are, Not at what you’ll be- Look at all the things you’ve done for me
Officially announced yesterday: ROCKY’s coming to the Great White Way.
Yes, everyone’s favorite “little boxer that could” is getting his chance to belt it out.
Skeptical? No need. The production got rave reviews over in Germany on its first tryout of the material. Features music from Ahrens and Flaherty (Ragtime, The Glorious Ones, Once on this Island) and what appears to be pretty thrilling direction from Alex Timbers (Peter and the Starcatcher, Bloody Bloody Andrew Jackson).
With Luhrmann’s adaptation about to hit the silver screen, there’s no better time to revisit how others have retold Fitzgerald’s classic American tale. At once a novella about the power of hope and a prophetic story of the end of an era, the The Great Gatsby is still considered one of the best books in the canon of Western literature.
The book exploded off the page in Elevator Repair Service’s marathon retelling. A man in an office sits down, begins reading the book, and 8 hours later (a few intermissions and dinner break included) you emerge from the theatre having utterly steeped yourself in the text. All 180 pages of it.
Take a glimpse of the piece through the eyes of the narrator, Nick Carraway, as Gatsby’s lavish parties transform a dull office setting. The actor who plays Nick, Scott Shepherd, has memorized all 49,000 words of the text.
A young Ian McKellen works through a line from Merchant of Venice in the RSC’s Playing Shakespeare from a few decades past.
The director seen here, John Barton, was asked to write a book about his robust knowledge of the Bard but promptly refused, stating that it was impossible to talk about Shakespeare without having living, breathing actors available to demonstrate the subtleties and poetry of the text. The result is a party full of some the acting greats taking apart classic texts piece by piece and uncovering centuries worth of subtext in the process.
“It is a sign of great inner insecurity to be hostile to the unfamiliar.” – Anais Nin
Have you felt yourself seizing up when presented with something new? A reaction that pushes you to retreat within yourself rather than explore that novelty?
Anais Nin reminds us in her writing that it is very possible to silence such insecurities by opening oneself to unfamiliar terrain.
“When we totally accept a pattern not made by us, not truly our own, we wither and die. People’s conventional structure is often a façade. Under the most rigid conventionality there is often an individual, a human being with original thoughts or inventive fantasy, which he does not dare expose for fear of ridicule, and this is what the writer and artist are willing to do for us. They are guides and map makers to greater sincerity. They are useful, in fact indispensable, to the community. They keep before our eyes the variations which make human beings so interesting.”
Might just be your time to become a cartographer.
The cartographer’s song from the French musical Le Petit Prince. While this is one way to be a map maker, just remember that you have to let yourself out into the world to explore.
Especially it if you plan to map it out for others to navigate on their own one day.
“We got work to do. We can cry about it. Or we can dance about it.”
I love that. Out of the mouth of babes…What if we approached every difficult impasse in our lives as an opportunity for a dance party? A chance to shine versus an impossible mountain to climb?
A wonderful reminder that we always have a choice of how we feel, what we do, and how awesome we wish our path to be. And since we’re all on the same team, only way to go from here is onward and upward.
But who is to say that a derivative work cannot be equally as satisfying as the original? As long as the pieces are different enough, is it fair to say a certain one is better?
Take for instance the Gilbert and Sullivan comic opera The Mikado. The composers set the opera in Japan, far away from Britain, allowing them to satirize British politics more freely by disguising them as foreign notions.
Opera Australia’s 2011 production of The Mikado by Gilbert and Sullivan.
In 1939, the classic was adapted into a new piece entitled The Hot Mikado and performed with an all African-American cast. Primed with a lot more sass and a lot more swing, The Hot Mikado became a hit that is still performed to this day.
Now it’s been over 70 years since the original piece was given a facelift. Thus, theatres are still looking for ways to update the show and help it feel as novel and sexy as it was when The Hot Mikado first took the stage.
This recent production does just this by updating the 1940s American setting to a modern one that tips its hat to the original Mikado, complete with the “three little maids” in anime-style schoolgirl outfits. Up to you to decide which version you prefer – but I’d say there’s definitely room for both in the world of live performance.
Watermill Theatre’s production of The Hot Mikado in 2009
In lieu of offering a full fledged review of the recent movie, I would like to offer this trip around the world with 17 Valjeans from international productions. Because if nothing else, well-done movie musicals offer exposure to the medium. And there’s nothing like getting another person addicted to a show that took over the musical world for the better part of two decades.
There’s a reason why the show has clout – just listen to the ending (4:44).
From Slings &Arrows,a gem of a show that follows the workings of a fictional Shakespeare festival akin to Stratford’s.
Directors like the fictional Tennant are an actors dream – insightful, brave, and brutally honest. The kind that are able to take usher a well-loved, oft-recited collection of words out of an actor frightened of his own greatness. This shows’ three seasons only get better as they progress and I would highly recommend a watch if you’re in need of a new TV addiction.
How many times have you heard this illustrious speech? What makes it memorable for you?
Happy Ghouls Day! How are you celebrating this odd and wonderful holiday?
Even if you don’t get the chance to don a costume today, why let that stop you from getting into the Halloween spirit? I’ve collected a few tunes that tend to send chills up my spine. Let them help you wriggle into the mood as well.
Stars- Dead Hearts: Haunting lyrics and a simple tune that will not leave you alone. Sure to plant itself in your mind for an hour or two.
Marilyn Manson- This is Halloween: His take on the Tim Burton film’s classic tune grates on you in the best possible way. Disturbing, effective.
Nina Simone – I Put a Spell on You: Her sultry voice on this wicked song makes for a truly addicting treat.
Yeah Yeah Yeahs- Heads Will Roll: A perfect pump-up Halloween style song. Angry anthem with some serious bite.
Talking Heads – Psycho Killer: I love the slightly butchered (appropriate) French that peppers this song. Fafafafafafa fafafa far better than a number of other songs playing on the radio.
That’s five to get you started. What other songs get you freaked out / do you freak out to this time of year?