Dr. Viktor E. Frankl was psychiatrist and a concentration camp prisoner during WWII. His work, Man’s Search for Meaning, has invigorated and inspired with its tips for spiritual survival in the some of the darkest hours. His book is a testament to the power of the human spirit, with moments that capture something innate in our shared resilience:
“We who lived in concentration camps can remember the men who walked through huts, comforting others, giving away their last piece of bread. They may have been few in number, but they offer sufficient proof that everything can be taken from a man but one thing: the last of the human freedoms – to choose one’s attitude in any given set of circumstances, to choose one’s own way.”
“It is only with the heart that one can see rightly” – Saint Exupéry
Deconstructing opera’s mega-material roots is a challenge.
Sharing an opera live with a group of roving wireless-headphone-wearing audience members? Sounds near impossible.
And yet, The Industryambitiously tackled all this and more through its Invisible Cities project in LA’s Union Station.
Composer and librettist Christopher Cerrone’s adapted a 1972 novel of the same name by Italo Calvino. The story depicts a host of fantastical cities the explorer Marco Polo narrates to Kublai Khan – unreal cities of desire, of memory, of the imagination.
You check in and trade your license for a pair of headphones before following a drove of listeners into a large room where an orchestra sits, no singers in sight. The overture sounds forth and even before the final notes of this first movement end, individuals exit through the large glass doors to search for the rest of the opera. There’s no traditional stage here. The train station itself houses the characters, and like a living giant that seems to expand and contract as singers reveal themselves from the shadows.
A man hunched over in a wheelchair, dressed like many of the homeless souls that take shelter in the station, begins to sing. And you realize that the performers are not so much hidden at all. Instead, you did not know what you should have been seeking.
A lofty soprano tone sounds from another room. Many turn to rush to find the source of the music and discover a janitor – with a voice of gold.
You traverse cities of the living, cities of the dead.
You follow in Polo’s footsteps and happen upon a dance core (seven dancers from LA Dance Project) as they guide and affront the viewer through a collection of miniature vignettes.
You wander into a hallway – the station’s old ticket lobby – and see no action, just a mist of light fog…
…Only seconds later to be bombarded by a procession of singers and dancers as the opera’s final scenes culminate around you.
You notice how each person in the room is now a character in the piece as well. An old man in his own wheelchair is not altogether different from the singer at the start.
The piece challenges the viewer to realize that the eye creates what it wishes to see. At every new port – there is a promise of hope, discovery, release. But we bring ourselves with us wherever we go, thus in order to find new things, we must truly see with new eyes.
Because there will always be one to fifty excuses to find.
Because your mind will rummage around and dig these up, presenting them to you with urgency.
Because you may forget, if only for a moment, that this new pile of worries are a gift from an anxious visitor who didn’t know exactly what to get you – so opted for this, and hoped you’d enjoy something to think about versus nothing.
Because you never liked stagnation anyway.
Because there will be days when your fear will masquerade as sensibility, never removing the mask to reveal its tiny, unsubstantial frame.
Because the voice of your deepest desires speaks in dulcet tones, quiet murmurs that could be drowned out by the cries of a doubtful side of you.
Because you will remember that acknowledging this concern always silences it, like a mother finally attending to a child.
Because you deserve to come alive, to set yourself ablaze with wonder, and never stop seeking.
Because there’s solid ground on the other side, no matter how many obstacles stand in the way.
When faced with a question on balancing commercial pressures and creativity integrity, consider that a meditative mind might be the ticket:
“I came from painting. And a painter has none of those worries. A painter paints a painting. No one comes in and says, “You’ve got to change that blue.” It’s a joke to think that a film is going to mean anything if somebody else fiddles with it. If they give you the right to make the film, they owe you the right to make it the way you think it should be — the filmmaker. The filmmaker decides on every single element, every single word, every single sound, every single thing going down that highway through time. Otherwise, it won’t hold together. When there’s even a little hint of pressure coming from someplace else — like deadlines or going overbudget… — this affects the film. And you just want support, support, support… in a perfect world… so that you can really get the thing to be correct.
Now, this doesn’t happen these days — so, “support, support, support” — when you do dive within and experience this pure self — atma — pure consciousness — it’s the home of all the laws of nature. You get more in tune with those and … nature starts supporting you. So you have that feeling, even if they’re breathing down your neck, and there’s pressure here and pressure here, it doesn’t matter — inside … I say, “Every day is like a Saturday morning” — you got a great feeling, and it grows and grows and grows.”
- David Lynch
Allow yourself permission to not concern yourself with what others think. Get busy being that version of yourself you want to be.
“I applaud the Supreme Court’s decision to strike down the Defense of Marriage Act. This was discrimination enshrined in law. It treated loving, committed gay and lesbian couples as a separate and lesser class of people. The Supreme Court has righted that wrong, and our country is better off for it. We are a people who declared that we are all created equal – and the love we commit to one another must be equal as well.”
A beautiful day for California and the United States. Proud to see that love and respect continues to win out over hatred.
1. Celebrate the ordinary and less than extraordinary. Because you can’t win the Nobel Peace Prize every day of the year. Cheer on the small moments in between the large ones, and you’ll start to notice how those peaks will advance towards you in rapid succession.
2. Get outside when it’s still light out. Summer’s official start date is tomorrow. How are you going to revel in it?
3. Make time for yourself. A whole good amount of it. Come to know yourself better than the tabloids know Justin Bieber’s whereabouts. Treat yourself to that manicure, bask leisurely for an hour doing absolutely nothing, and recharge. No point in running on empty.
4. Sing and dance like no one is watching/like the entire world is watching. These two should be one in the same. It’s often assumed that the scrutiny of many is a negative thing. If you truly approach whatever the task at hand is with gusto, people will notice, take note and maybe get a little bit inspired. Don’t apologize for loving the things that you do.
5. Unplug. From your cell phone, Facebook, from the endless internet to-do list. Go have an adventure. It’ll be there when you come back.
“If you imagine less, less will be what you undoubtedly deserve. Do what you love, and don’t stop until you get what you love. Work as hard as you can, imagine immensities, don’t compromise, and don’t waste time. Start now. Not 20 years from now, not two weeks from now. Now.”