You’ve never seen Shakespeare like this my friends. The Berliner Ensemble is reknowned for their aggressive and direct method of performing. Screaming at the audience? Yup. Mashing food into their face as they perform? Happens all the time. Breaking down that 4th wall? Each and every chance they get.
That’s why in 2009, when the group tackled Shakespeare’s 400 year old sonnets, the result was anything but traditional. This incredibly distinctive production from director Bob Wilson with music by Rufus Wainwright featured gender reversal, shadowplay, unforgettable makeup, and of course nods to Brecht and Weill (of Threepenny Opera fame).
Take a look at how the Berliner Ensemble tackles the world of Shakespeare and instantly invites you to join them on their hallucinatory ride. Something about the coarseness of the performing style met with the Bard’s infamous words seems like the perfect oxymoron, and yet this production succeeds because it challenges any preexisting notions of Shakespeare’s work.