World’s A Stage: Spotlight on Germany

You’ve never seen Shakespeare like this my friends. The Berliner Ensemble is reknowned for their aggressive and direct method of performing. Screaming at the audience? Yup. Mashing food into their face as they perform? Happens all the time. Breaking down that 4th wall? Each and every chance they get.

That’s why in 2009, when the group tackled Shakespeare’s 400 year old sonnets, the result was anything but traditional. This incredibly distinctive production from director Bob Wilson with music by Rufus Wainwright featured gender reversal, shadowplay, unforgettable makeup,  and of course nods to Brecht and Weill (of Threepenny Opera fame).

Take a look at how the Berliner Ensemble tackles the world of Shakespeare and instantly invites you to join them on their hallucinatory ride. Something about the coarseness of the performing style met with the Bard’s infamous words seems like the perfect oxymoron, and yet this production succeeds because it challenges any preexisting notions of Shakespeare’s work.

Advertisements

6 thoughts on “World’s A Stage: Spotlight on Germany

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s