“But ensembles, nationally and locally, are able to focus more,and develop a style of working and an aesthetic, and that’s what makes the work exciting. Because of that, it’s reinvigorated the field. I think this is only the beginning.”
– Mark Valdez (executive director of the Network of Ensemble Theatres)
Are the days of the traditional playwright dwindling? Or are we simply experiencing a new wave of exciting ensemble-created work?
When thinking of playwrights, our mind often conjures up an image of a tortured artist-type, hunched over a notebook or a typewriter in a pitiful flat in some remote location, painstakingly trying to pull words from thin air and force them down onto a page. But new works created by groups of creatives are challenging this traditional method of writing.
And who’s to say that a multitude of voices cannot be better than one? Sure the conditions for artistic creation must be reevaluated. What could easily be a case of “too many cooks in the kitchen,” is instead a creative playground, pumping out interesting, group-driven work. When all the members of the ensemble recognize that there must a shift away from ego and towards the pursuit of a higher art, ensemble pieces really shine.