Song cycle: a group of songs designed to be performed in a sequence as a single entity. As a rule, all of the songs are by the same composer and often use words from the same poet or lyricist.
The song cycle is one of my favorite mediums for witnessing a collection of musical work. A set of story songs is as satisfying as a tapas dinner. You get a taste of everything, you leave feeling like you learned something new. Without a libretto, the song cycle depends on the music to tie the show into a cohesive evening. This unity is often underlined by musical themes that weave their way back into the work.
But perhaps what’s most impressive is how lyrics are now thrust into the spotlight to stand on their own. There is no longer a text surrounding the work, or breaks between songs to help move one from the beginning of a story to its end. Lyrics must carry new weight.
Songs For A New World: abstract musical/theatrical song cycle with the central theme: “the moment of decision.”
Taste of what’s inside:
“God knows it’s easy to hide,
Easy to hide from the things that you feel
And harder to blindly trust
What you can’t understand
God knows it’s easy to run,
Easy to run from the people you love
And harder to stand and fight
For the things you believe”
– I’d Give it All For You
Closer Than Ever: A meditation on urban life through the lens of real individuals’ experiences with security, aging, mid-life crisis, second marriages, working couples, and unrequited love.
Taste of what’s inside:
“If I sing you are the music.
If I love you taught me how.
Every day your heart is beating
in the man that I am now.
If my ears are tuned to wander.
If when I reach the chords are there.
When there is joy in making music,
it’s a joy that we both share.”
– If I Sing
Myths and Hymns: Song cycle by Adam Guettel, based on Greek myth and lyrics found in an antique hymnal. It concerns the relationship of humans to gods, past and present.
Taste of what’s inside:
“I don’t know what I hunger for,
I don’t know why I feel the hunger more
And more with every passing day.
I don’t know from where the hunger springs,
But that it’s there and that it sings of someplace far away.”
– Saturn Returns
Even in these moments, do you notice the repetition? The words ground themselves: “God knows…”, “If…”, “I don’t know…”. These simple phrases reinforce the idea that a song does not need to be verbose to hit home. These song cycles are memorable because they feature honest human stories told simply, an utterly effective means of storytelling.
What’s your favorite way to hear a story?
It’s interesting, thinking about what makes a story; I think a goid story engages as many of our senses as possible– movies are a good example. (Part of my work is creating photo montages, where I blend many photos to create a complete story.) I’m intrigued by this idea of telling a story by combining songs– like an aural version of a montage. Thanks for the inspiration!
Loved that you’ve incorporated storytelling into your own work! And I couldn’t agree more – a good story must appeal to the senses. Thanks for your thoughts!
I love ‘Songs for a New World’ but haven’t heard of the other two. I’ll have to go check them out when I get home. Thanks for the heads up!
Think you’ll enjoy!
Thanks for sharing these. You might want to check out the recording of “The Gathering”, a song cycle commissioned in 2011 by the NC Symphony from Laurelyn Dossett. My friend Joe plays on the album.
http://www.amazon.com/The-Gathering-Laurelyn-Dossett/dp/B005ZHHEPM
Thanks for the recommendation PW!