“Every day in life is beautiful. Every day. It’s beautiful.”
Alice Herz-Sommer’s stellar heath at the age of 109 is not the only thing that makes her special. She is the oldest living pianist and Holocaust survivor, and arguably one of the most optimistic people you may ever meet. This touching preview for the upcoming documentary following her life, “The Lady In Number 6,” shows how music not only saved her life in the camp, but also continues to carry her through each day after the ordeal.
The Germans “beautified” the ghetto, planting gardens and painting houses. Individuals received roles to play and the Nazis staged social and cultural events for the visiting dignitaries. Hints that all was not well included a bruise under the eye of the “mayor” of the “town.” In the Nazi propaganda film, Theresienstadt was cynically described as a “spa town” where elderly German Jews could “retire” in safety. Once the visit was over, the Germans resumed deportations from Theresienstadt, which did not end until October 1944.
And yet still, shining examples like Alice appear, wielding hope as an impenetrable shield:
“I have lived through many wars and have lost everything many times — including my husband, my mother and my beloved son. Yet, life is beautiful, and I have so much to learn and enjoy. I have no space nor time for pessimism and hate.”
The team behind the raucous rock retelling of Lizzie Borden released their concept album this month. Few things will prepare you for October thrills and chills as well as this CD.
Based on the most notorious “unsolved” murder case of the 1800s, this Cheslik-DeMeyer, Hewitt and Maner tuner is currently getting a treatment in Houston’s TUTS Underground season.
The album’s powerhouse voices and catchy belt-along-numbers are made only more delightful by some thoughtful sound editing that infuses tense moments with an extra dose of terror. A terrific adrenaline-infused ride from start to finish.
For a taste of the show for those not familiar, check out the clip below:
Reasons why this montage from last year’s Cleveland production might rock your world a little:
Lizzie ________ Borden. Who knew that the real life Borden had such intense daddy-issues?
Look at what they’re wearing. Uptight Victorian dresses devolve into Versace-inspired rock wear. Leather, lace and tulle give this 19th century retelling a vicious bite.
Look ma! No Men. They effectively tell the entire story employing only female characters – Lizzie Borden, her sister Emma, the housemaid and the girl-next-door/maybe-secret-lover.
You will never think of hairspray cans in the same way again. Brilliant take on Borden burning up an old dress, one of the pieces of potential evidence.
Four ladies fierce screlting their faces off. Enough said.
Marina Abramovic and Ulay began an intense romantic relationship in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meet for one last big hug in the middle and never see each other again.
As part of Marina’s 2010 MoMa retrospective ‘The Artist Is Present,’ she shared a minute of silence with each stranger who sat in front of her. Ulay arrived without her knowing and this is what happened.
Enjoy an animated representation of one of Brecht’s most notable satirical fables.
With gems such as:
“If sharks were men, they would, of course, also wage wars against one another, in order to conquer other fish boxes and other little fish.”
“If sharks were men, there would, of course, also be art. There would be beautiful pictures, in which the sharks’ teeth would be portrayed in magnificent colors and their jaws as pure pleasure gardens, in which one could romp about splendidly. The theaters at the bottom of the sea would show heroic little fish swimming enthusiastically into the jaws of sharks, and the music would be so beautiful that to the accompaniment of its sounds, the orchestra leading the way, the little fish would stream dreamily into the sharks’ jaws, lulled by the most agreeable thoughts.”
Theatre du Chatelet, renowned Paris institution headed by Jean-Luc Choplin, recently presented Stephen Sondheim & James Lapine’s award-winning and heartbreaking SUNDAY IN THE PARK WITH GEORGE. Lucky for those of us that weren’t able to hop on a plane to Paris during its run, the production was filmed and broadcast by Mezzo TV. And now, this new version is available to download for free, albeit for a very limited time.
The original Broadway production of SUNDAY IN THE PARK WITH GEORGE, directed by James Lapine, starring Mandy Patinkin and Bernadette Peters, was similarly filmed and quickly became a staple in the collector’s canon. For those of you who haven’t seen any of the original cast, or for those that could always use a refresher, enjoy the two duetting on “Move On.”
In this number, Dot appears to her great grandson (that of her lover George Seurat), also named George, who is struggling with his art
Look at what you want, Not at where you are, Not at what you’ll be- Look at all the things you’ve done for me
Officially announced yesterday: ROCKY’s coming to the Great White Way.
Yes, everyone’s favorite “little boxer that could” is getting his chance to belt it out.
Skeptical? No need. The production got rave reviews over in Germany on its first tryout of the material. Features music from Ahrens and Flaherty (Ragtime, The Glorious Ones, Once on this Island) and what appears to be pretty thrilling direction from Alex Timbers (Peter and the Starcatcher, Bloody Bloody Andrew Jackson).
With Luhrmann’s adaptation about to hit the silver screen, there’s no better time to revisit how others have retold Fitzgerald’s classic American tale. At once a novella about the power of hope and a prophetic story of the end of an era, the The Great Gatsby is still considered one of the best books in the canon of Western literature.
The book exploded off the page in Elevator Repair Service’s marathon retelling. A man in an office sits down, begins reading the book, and 8 hours later (a few intermissions and dinner break included) you emerge from the theatre having utterly steeped yourself in the text. All 180 pages of it.
Take a glimpse of the piece through the eyes of the narrator, Nick Carraway, as Gatsby’s lavish parties transform a dull office setting. The actor who plays Nick, Scott Shepherd, has memorized all 49,000 words of the text.