In honor of today’s terrorfest, it’s time to delve into the archives for some unsettling photos from decades now past.
Enjoy (or reel in horror at) these shots from Narre Tod, Mein Spielgesell (Fool Death, My Playmate), a series of portraits of a love affair between a female model and a skeleton. The set is by eccentric photographer Franz Fiedler, 1921.
Happy Ghouls Day! How are you celebrating this odd and wonderful holiday?
Even if you don’t get the chance to don a costume today, why let that stop you from getting into the Halloween spirit? I’ve collected a few tunes that tend to send chills up my spine. Let them help you wriggle into the mood as well.
Stars- Dead Hearts: Haunting lyrics and a simple tune that will not leave you alone. Sure to plant itself in your mind for an hour or two.
Marilyn Manson- This is Halloween: His take on the Tim Burton film’s classic tune grates on you in the best possible way. Disturbing, effective.
Nina Simone – I Put a Spell on You: Her sultry voice on this wicked song makes for a truly addicting treat.
Yeah Yeah Yeahs- Heads Will Roll: A perfect pump-up Halloween style song. Angry anthem with some serious bite.
Talking Heads – Psycho Killer: I love the slightly butchered (appropriate) French that peppers this song. Fafafafafafa fafafa far better than a number of other songs playing on the radio.
That’s five to get you started. What other songs get you freaked out / do you freak out to this time of year?
Don’t have a traditional theatre on hand? More and more groups seem to be saying “that’s alright, we’ll make do” and seeking out alternative theatre spaces. And I have to say, I love this trend. A production of The Tempest staged steps away from the ocean, Halloween-themed shows performed in a cemetery, even promenade plays that invite audiences to walk along the streets of a town and experience a theatrical event in an incredibly immersive fashion. A notable example is the NYC production, Sleep No More, which took a few abandoned warehouses and created “the McKintrick Hotel,” a 1930s setting for a multi-story recreation of MacBeth. Audience members don masks and follow the action of not only the Shakespeare original, but also what precedes and follows the story of Mac as we know it.
An immaculate amount of detail, room after room of embellishments and the result? A macabre and innovative manner of storytelling that invites the audience to be a part of its unsettling nature.