Wilhelm Reich, a student of Freud’s and radical pioneer of early psychoanalysis, kept diaries of his observations of the world – often fascinating, often misunderstood – yet still able to influence a number of notable intellectuals from Saul Bellow to William Burroughs. A culmination of his journal entries, letters and laboratory notebooks, Where’s the Truth?: Letters and Journals, 1948-1957, follows three other autobiographical installments making this book the forth and final collection of his work.
In a particularly thoughtful entry dated June 7, 1948, Reich attempts to distill the six conditions necessary for creative sanity. In so doing he reveals his own doubts and aspirations while painting an ideal portrait of a life with true purpose.
The last principle is especially moving and an apt reminder that the promise of the “easy life” does not necessarily come from always treading the easiest path.
The way we depict women in this country has plenty to do with how we portrayed them just a few decades ago. Gil Elvgren was one influential man who offered his own lens and captured the spirit of the “American girl.” His iconic paintings, ads, and illustrations made him one of the most important pin-up and glamour artists of the twentieth century.
I love how some of these are more blatant than others – some seems to scream “I would do anything to make you smile darling,” while others take a more subtle approach. But his illustrations are doubtlessly part of our consciousness even to this day. Each captures a particular notion of the mid-century American zeitgeist.