Dr. Viktor E. Frankl was psychiatrist and a concentration camp prisoner during WWII. His work, Man’s Search for Meaning, has invigorated and inspired with its tips for spiritual survival in the some of the darkest hours. His book is a testament to the power of the human spirit, with moments that capture something innate in our shared resilience:
“We who lived in concentration camps can remember the men who walked through huts, comforting others, giving away their last piece of bread. They may have been few in number, but they offer sufficient proof that everything can be taken from a man but one thing: the last of the human freedoms – to choose one’s attitude in any given set of circumstances, to choose one’s own way.”
In honor of today’s terrorfest, it’s time to delve into the archives for some unsettling photos from decades now past.
Enjoy (or reel in horror at) these shots from Narre Tod, Mein Spielgesell (Fool Death, My Playmate), a series of portraits of a love affair between a female model and a skeleton. The set is by eccentric photographer Franz Fiedler, 1921.
In reality, heartstrings are just a tad different than those imagined in Brontë’s Jane Eyre:
“Because, he said, “I sometimes have a queer feeling with regard to you – especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land some broad between us, I am afraid that cord of communion will be snapt; and then I’ve a nervous notion I should take to bleeding inwardly. As for you, – you’d forget me.”
Although they’re not connected to another’s frame, these closeups show just how stunning our own heartstrings (tendons and blood vessels) can be. Especially when they’re working overtime to pump life & love all over the body.
Angoulême, a city in Southwestern France, dubbed itself the international comic strip city in the early 2000s. The city is mostly known for its Angoulême International Comics Festival and now its namesake is unmistakable as walls all over the city sport huge comic strip displays.
Avenue Q. 2003. First instance of Human Puppet Nudity on Broadway.
War Horse. 2007. 3 Puppeteers to each horse.
Bread and Puppet’s Decapitilized Circus. 2010. They’ve been around since 1962. At the end of every B & P performance, the group shares fresh baked bread with the audience, suggesting that art should be as basic to life as bread.
The White Snake. 2012 at Berkeley Rep.
King Kong. Australia 2013. 14 People to operate the King.
When faced with a question on balancing commercial pressures and creativity integrity, consider that a meditative mind might be the ticket:
“I came from painting. And a painter has none of those worries. A painter paints a painting. No one comes in and says, “You’ve got to change that blue.” It’s a joke to think that a film is going to mean anything if somebody else fiddles with it. If they give you the right to make the film, they owe you the right to make it the way you think it should be — the filmmaker. The filmmaker decides on every single element, every single word, every single sound, every single thing going down that highway through time. Otherwise, it won’t hold together. When there’s even a little hint of pressure coming from someplace else — like deadlines or going overbudget… — this affects the film. And you just want support, support, support… in a perfect world… so that you can really get the thing to be correct.
Now, this doesn’t happen these days — so, “support, support, support” — when you do dive within and experience this pure self — atma — pure consciousness — it’s the home of all the laws of nature. You get more in tune with those and … nature starts supporting you. So you have that feeling, even if they’re breathing down your neck, and there’s pressure here and pressure here, it doesn’t matter — inside … I say, “Every day is like a Saturday morning” — you got a great feeling, and it grows and grows and grows.”
- David Lynch
Allow yourself permission to not concern yourself with what others think. Get busy being that version of yourself you want to be.